Thomas Child, a masonry contractor and Bishop of the 10th Salt Lake LDS ward, conceived of a symbolic sculpture garden that would be a retreat from the world and a tribute to his most cherished religious and personal beliefs. He began building the garden in the back yard of his family home in 1945, when he was 57 years old, and continued to pour his time and money into the work until his death in 1963. Child named the garden Gilgal after the Biblical location where Joshua ordered the Israelites to place twelve stones as a memorial. The name "Gilgal" is sometimes translated to mean "circle of standing stones," an appropriate appellation for a sculpture garden. Gilgal is also the name of a city and a valley in The Book of Mormon, a sacred scripture in Mormonism.
Many of the sculptures and quotations found at Gilgal refer to LDS themes: the restoration of the Priesthood, the great Mormon migration west, and the many similarities Child saw between the ancient Israelites and his LDS forefathers, who sacrificed all for their faith.
Although Child was not a classically trained artist, he went to great lengths to obtain and shape the perfect stones for his beloved garden. He created a complete workshop in his yard for handling and cutting the stones, proudly stating that all the finish work for his statues was completed on the site. He also used some unconventional tools to cut the stones, including an oxyacetylene torch (usually used for welding).
The finished statues are likewise unconventional, even eccentric: a sacrificial altar, a shrine to Child's beloved wife Bertha, even a sphinx with the face of Mormon prophet Joseph Smith, Jr. Child, who shared the garden with thousands of visitors over his lifetime, knew that not everyone would appreciate his particular artistic vision. His primary concern, however, was that the garden would succeed in making people think: "You don't have to agree with me," he said. "You may think I am a nut, but I hope I have aroused your thinking and curiosity."
- wikipedia.org
Joseph Smith Sphinx |
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